Wyoming's
"Moving Waters"
From
December 2001 through July 2002, the seven states that share the
waters of the Green and Colorado river system (Arizona,
California, Colorado, Nevada, New Mexico, Utah, and Wyoming) are
collaborating on Moving Waters, a project to generate regional
consciousness of the river. The program will take place in 22
communities, some along the river, some far from its banks, but
all dependent on it.
Major project
components include: On the Move, a traveling exhibit; In the Air,
a six-part radio documentary; Water Wars, an introduction to the
law of the river; Reading the River, book discussion programs; and
The River WE Know, community self-portraits.
Upcoming events
in Wyoming include the following:
Thursday, June
20 - A roundtable discussion on "The Law of the River"
will take place at the Museum of the Mountain Man in Pinedale,
Wyoming. Led by legal
scholar Anne MacKinnon, and including area ranchers and water
resource managers, as well as the former state water engineer for
Wyoming. Participants and the public will discuss upper Green
River water law history. For further information contact Anne
MacKinnon, 307-265-6752.
Wednesday, June
26 through noon on Friday, June 28: "Headwaters
Close-Up," a field course on the ecology and law of the Upper
Green River, sponsored by the University of Wyoming, and taking
place in Pinedale,
Wyoming (college credit will be offered). The course will explore
the geology, ecology, and water quality issues on two to three
stretches of the upper Green River. For further information
contact: Anne MacKinnon (307) 265-6752.
Friday, June 28
- Saturday, June 29. A
public conference at Western Wyoming Community College in Rock
Springs, Wyoming, on the historical, legal and philosophical
issues facing the Colorado River watershed: "Thinking Like a
River: From Knapsack Col to the Sea of Cortez." The conference will, through a series of speakers and
roundtable discussions, examine the Colorado River, especially its
headwaters stream, the Green River, to explore the pivotal role it
has played in the history of the West and its critical importance
to the future of region. The program will use a blend of history
and jurisprudence as well as science, to help a public audience
understand the history and the current issues facing a river they
know and love. For further information contact: Katharine Collins
(307) 382-4979.
Wednesday, July
17: Roundtable Discussion: Water Law Issues on the Lower Green
River and Water Law and Economic Development sponsored by the
Wyoming Council for the Humanities and the Sweetwater County
Historical Museum. Kayaks, power plans, dams, municipal water
systems, mines and aquatic wildlife-How do they all come together
in Green River? It is an interesting story. Come Listen and talk
about history, policy and the future on the river. The free public
program will be held at the Sweetwater County Library in Green
River.
Panelists
will include John Shields, Interstate Streams Engineer, Wyoming
State Engineer's Office, Ben Bracken, General Manager, Joint
Powers Water Board; representative from Utah Power and Light,
representative from the Green River City Council. For further
information contact: Anne MacKinnon 307-265-6752 or Ruth Lauritzen
307-872-6435.
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"Can
We See...?" Most Asked About Artifacts
There are some artifacts in the museum collection which seem to
hold the fascination of visitors. Exhibits Coordinator Gary
Perkins reports on the recent placement of some such artifacts on
exhibit and the story behind them.
“While I was
helping Mark Nelson move some items from our courthouse storage
area, I was able to study the ventriloquist dummies of Port Ward
and Thomas Smith. It has been many years since they were on
display. I think that more visitors ask to see them than anything
else in our collection so I decided to include them in our exhibit
on home entertainment. To do this, I built Plexiglas
'chairs' to support the dummies. Because of their 'creepiness'
they have quickly become the favorite exhibit for our school tours
even though (from their questions and much to my surprise)
evidently few young people have ever seen a ventriloquist
perform. We are very lucky to have these dummies as they are
undoubtedly excellent examples of a vanishing art form.”
“Three of the
dummies on display were owned by Port Jackson Ward (1882-1959) who
began studying ventriloquism when he was a child in England.
By the time he was 16 years old he was a professional
ventriloquist, mimic and magician. Three years later his act,
'Talking Dolls With Five Different Voices,' won him the accolade
'Founder of Mimicry.” He performed for the royal family of Great
Britain in 1909.
“Ward, his
wife Elizabeth and their daughter, came to Rock Springs in 1909
where he worked for the Union Pacific
Coal Company until 1947. In his free time Ward entertained
regularly at the old Grand Theater and Opera House in Superior and
at many union parties and other local events. Ward declined
several opportunities to return to the entertainment profession
full time. According to his 1959 Rock Springs Rocket-Miner
obituary, Ward 'had the foresight to know that the art was in its
vanishing era and preferred to cast his lot with the coal mining
industry.”
“Thomas C. Smith (1892-1969) was Port Ward's cousin. He
was so impressed with his cousin's ventriloquist ability, that he
too learned the art. Smith immigrated from England to Rock
Springs in 1908. He married Annie McTee of Rock Springs in
1913. Smith performed as a ventriloquist at the 1920 opening
of the Rialto Theater in Rock Springs. For the next
twenty years he entertained locally on stage and radio. He
also worked as a foreman for the Kellogg Lumber Company for 35
years and as a carpenter for the Union Pacific Coal Company.”
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Board
Message
Kevin
Holdsworth
With
the opening of the new whitewater park in Green River and its
apparent early success at bringing in visitors, we have heard the
persistent grumbles that, “We don't want to become another
Jackson.” On the
other hand, some people have even gone so far as to suggest that
the whitewater park might help Green River become “the next
Moab.” My friends,
we have nothing to worry about in either regard.
In fact, it's
downright amazing that-in a community that has had to close two
schools in as many years-anyone is worried about an onslaught of
newcomers. At the
same time, while the new whitewater park is certainly a swell
place, it is no Slickrock Trail, dudes.
Nor can the Green really compete for thrills with the
Snake. Green River and Rock Springs do not boast the Grand Teton
over the next rise and never will.
Our towns are not gateways to the greatest concentration of
large ungulates in North America.
We endure a harsh climate, with long winters, plenty of
wind, and short summers. Economic opportunities have historically been limited and are
limited still. But
wait: all this is good. Our
sparse population ensures that everyone's favorite spot will
remain unspoiled for future use.
People like it here because there's room--elbow room--and a
real sense of both adventure and history.
The whitewater
park is more than simply a few boulders and dams in the Green
River. It takes
advantage of Expedition Island's important history, as well as the
wonderful circular walk past interpretive signs that celebrate the
early river runners. The
river is in many ways a key to exploiting what is unique about our
area. John Wesley
Powell, as well as the other early river runners, left from one
place only: Green River City, Wyoming.
Why not take advantage of both the ever-flowing mighty
Green and its history?
What the
Sweetwater County Historical Museum and other venues that display
and interpret our history can offer is some depth to the scenery,
some background to the backdrop.
Hundreds of thousands of people drive past our communities
every year. Many
hundreds and thousands drive through on the way to Flaming Gorge
or the Yellowstone Country. What's
the harm in giving them an excuse to part with a little of their
time and money?
The fact is that tourism is probably the one dependable
growth industry in our region.
This doesn't mean that we ought to stage fake shootouts on
Flaming Gorge Way or Dewar Drive every day at noon, or sell rubber
tomahawks at the local convenience store.
We have the benefit of time to ensure that what we offer to
passers-through is memorable and of high quality.
The Sweetwater County Historical Museum is trying to do
just that. Stop in to
see the new facility. Whenever
you have family or friends in the area, tell them about it too.
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Curator's
Corner
Mark Nelson
The
movement of objects from one location to another continues to
occupy much of our time and attention. We now have approximately
1,700 artifacts stored in the basement of the new museum.
Additionally, most of the items once stored in the alternate
storage room at the courthouse have now been removed to an
off-site storage facility.
The records for
items placed into the museum's storage room are now being updated
and are being placed on the museum's computer database. We are
also in the process of placing digital photos of these artifacts
onto the computer records.
We continue to
catch up on cataloging the backlog of items donated over the past
couple of years. Now that most of the pressure has been taken off
of move-related tasks, we are nearly finished with the cataloging
of objects accessioned in 2001 and 2002.
The curatorial
office recently purchased a scanner capable of scanning glass
plate negatives. This winter we will be setting aside some time to
undertake the scanning of selected glass plate negatives.
We welcome summer intern Nicole Smith to the museum staff.
Nicole will be spending the summer with us, learning all she can
about the curatorial and museum profession. She will be involved
in a number of tasks over the course of the next three months and
has already proven herself as a top-notch intern.
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Exhibits
Roundup
Gary Perkins
I decided to augment several of our exhibits with short digital
video disc (DVD) films as a way to present information about the
subjects of our exhibits to those who do not have the skills or
inclination to read the exhibit's text panels. Our first DVD
exhibit is just about ready. A ten-minute movie, “The Instrument
of Human Happiness: The Story of the Phonograph: has been made and
will shortly be installed in the gallery. We have ordered three
standard DVD players adapted with push buttons so that operation
of the machines would be simpler for the museum visitor.
I have finished
the second DVD exhibit script: “Moving Waters: the Story of the
Green River in Sweetwater County.” The ten-minute movie,
assembled using still photos from our museum's collection plus
movies by a local filmmaker, tells the story of the importance of
the river to our county from the time of the prehistoric people to
today. It will be part of the Nation Endowment for the Humanities
(NEH) exhibit “Moving Waters” set up at Western Wyoming
Community College. After the NEH exhibit is over, the DVD will be
shown with the “Exploring the Unknown” exhibit in our museum's
gallery. I am just about to start a third script on coal mining in
our county for the museum's coal mining exhibit.
We were recently
given three showcases by local businessman Jerry Palmer. This gave
me the opportunity to mount some new exhibits. The first case was
filled with an exhibit on William Stroud titled, “A Modern
Explorer: Rocky Mountain Bill.” Stroud was a man of many
talents. He was a movie maker, photographer, poet songwriter,
carpenter, taxidermist and a businessman. Most importantly,
though, he was renowned as an explorer of the Wind River
Mountains. He was probably the first man to take motion pictures
of wildlife. He toured the nation as a speaker for the Izaak
Walton League of America, an organization dedicated to preserving
wildlife, showing his movies and still photographs. His
photographs were also published several times in the National
Geographic magazine.
Born in Mountain
Ash, Scotland, in 1854, Stroud immigrated to Pennsylvania with his
parents. He originally intended to be a minister and studied at
the Dwight L. Moody Institute of Chicago. After his wife and child
died, he came to Rock Springs in 1888, where he worked first as a
coal miner, then opened his own furniture store.
Stroud was
fascinated with photography and the wild terrain of Wyoming. Using
a glass plate camera he photographed the Wind River Mountains and
lakes, the Fire Hole country south of Rock Springs and the Red and
Ladore Canyons of the Green River. He lugged a heavy motion
picture camera (on display in the museum) through the mountain
wilderness to make a full length move of wildlife. The film was
later lost while he was in California seeking a producer to market
it. Unfortunately, most of his glass negatives and prints were
later destroyed in a Rock Springs flood.
In 1924, Stroud
was able to combine his photography hobby with his religious
interests. He photographed many of the sites important to
Christianity on a visit to the Holy Land and Italy. (He bought the
clock displayed in the exhibit when he was in Europe.) Upon his
return to America, he went on a nation-wide tour giving magic
lantern slide shows of this travels.
In addition to
his photography, Stroud enjoyed writing poems and articles about
his exploring trips. His works were often published in local
newspapers. He also made doll furniture (an example is on display)
and worked as a Boy Scout leader.
Stroud died in
1946 at the age of 92. According to the Union Pacific Coal
Company's Employee Magazine : “Stroud never reaped any financial
benefit from his enterprises, but was defrauded by unscrupulous
people. He could not believe that others were dishonest and was
often imposed upon by promoters and 'sharks' in different parts of
the country.” The magazine cited the example of a man who stole
Stroud's photographs and sent them to the National Geographic
claiming that he had created them. “After a long controversy,
'Rocky Mountain Bill' was given full credit for the
photographs.” The Union Pacific went on to praise Stroud as “a
kindly, gentle soul who did much to publicize Wyoming and the
West.” According to his newspaper obituary, “'Rock Mountain
Bill' was probably the greatest explorer of western Wyoming
mountains and desert, as well as its outstanding
photographer.”
We used the
second donated showcase to display more of our outstanding
collection of Chinese artifacts that were dug up during
excavations of “Chinatown” in Rock Springs several years ago.
We filled the
third case with items relating to the early days of motoring
including tire patching materials, old postcards, old road signs,
spark plugs, a copper Lincoln Highway logo, photographs of Little
America in the early years, removable tire studs for driving in
treacherous conditions, a metal sign advertising free ice water at
Little America and some advertisements for Model A Fords. This
case was placed with the Lincoln Highway and 1908 Great Auto Race
exhibits.
When David
Freeman's meteorite exhibit ended in May, we moved our temporary
exhibits case into the main gallery and filled it with some of the
best of our collection's coal mining safety trophies. When I look
at this case and the objects in the Chinese cases, I can't
help but be thankful that the Union Pacific Coal Company
donated these rare items to the county.
For the annual
quilt show held in early May at Expedition Island we brought out
our 1884 “crazy” quilt and displayed it on the bed in the home
exhibit. Because the quilt fades quickly in light, it was only on
view for six weeks and then it was returned to storage.
The problem of
fading quilts is a good lead in for my next long-term project.
Next budget year, I hope to begin the process of installing fiber
optic lighting in the showcases as the first step in realizing my
goal of eventually replacing our gallery's incandescent track
lighting with fiber optic lighting. The problem with incandescent
and florescent lighting is that it emits heat and ultra-violet
(UV) and infra-red (IR) light. Artifacts are slowly baked when
they are placed inside a showcase with an internal incandescent
or florescent light bulb. This is why we do not internally
light any of our cases. Fiber optic lighting does not heat the
inside of cases and since it has no IR or UV light waves, it would
be possible to illuminate our artifacts without damaging them,
thereby significantly increasing the amount of time they could be
displayed.
Additionally, the UV and IR light waves emitted from our
track lights will fade and eventually,
over time, literally destroy the objects on display. We have tried
to lower the exposure times of the objects to light by covering
the outside windows and by turning off the gallery lighting when
the gallery is empty. This makes it possible to increase the light
levels (and at the same time, reduce complaints about our too-dark
gallery) since the lighting is not on seven hours-a-day, six
days-a-week. This is a temporary solution only, but will have to
suffice for the time being. Unfortunately, fiber optic lighting is
not cheap and changing our lighting will be a long term project.
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Director's
Report
Ruth Lauritzen
So many projects, so little time! Occasionally the sheer
number of different things going on at the museum can be
overwhelming. There is just so much that we want to do, but boring
things like the annual budget keep getting in the way! But, with
perseverance, the less exciting, but very necessary, things do get
done and we can start on the fun things.
One of the fun projects I hope to get working on this
summer is the production of a new cookbook. Tentatively titled,
Sweetwater Celebrates, the book is going to feature recipes and
recollections from different ethnic holidays and
celebrations.
Research for
this project involves doing a number of oral histories with people
from different ethnic backgrounds. I am hoping to gather recipes
and the stories behind them. I am also interested in decorations
and activities associated with different holidays. Of course I
hope to put in quite a few photographs as well. My first, (and so
far only), interview was with Mollie Yowell who grew up in
England. In our hour-long interview we went through the calendar,
talking about the holidays she remembered celebrating including
familiar ones like Christmas and ones less known on this side of
the Atlantic like Guy Fawkes Day. She provided several of her
mother's recipes for puddings, including a Christmas pudding, (the
“figgy pudding” of Christmas carol fame).
The Sweetwater
County Museum Foundation has agreed to consider funding the
printing of the book when complete. But, as you can probably
guess, completing the book will be the hard part. I would
appreciate input from community members about people to talk to
and sources for recipes and photographs. Please contact me at the
museum (307) 872-6435 or (307) 352-6715 if you have any
information to contribute to this project.
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Volunteer
Opportunities
If
you have an interest in volunteering at the museum please call
Ruth at 872-6435 or 352-6715. Volunteers may choose to work as
much as they wish, coming in on a regular schedule or just helping
out for special events. If you have special talents and time to
give we would love to hear from you.
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